"...Hissom commands the stage with his constantly changing, delicately nuanced voice and body language that reveal as much about the troubled Frank as his dialogue. He is superb in a role that ranges from intense suffering to arrogant blustering."
-Wayne Barcomb, Pelican Press
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CRUSOE
ORLANDO SHAKESPEARE FESTIVAL, 2006
Adaptation Written by Jim Helsinger
Directed by Michael Carleton
"... You feel for Hissom's lonely Crusoe, who is so eager to communicate that even his own journal is his salvation."
"Hissom digs deep inside this man to find both the self-important European colonialist of his time and an iconoclast who rails at a God in whom he can't believe.... It's a tireless performance, yet what's most interesting is some of the quieter moments -- the look in Hissom's eyes, say, when Crusoe looks at his old world in a startlingly new way. . . ."
-THEATER REVIEW
by PETER P. ROCCHIO
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OTHELLO
Orlando UCF Shakespeare Festival, 2005
"But if evil can be orgasmic, it is Eric Hissom's Iago that will do it to you.... Hissom's performance is pitch-perfect, leaving tingles of fear resonating in your body at appropriate moments."
-Matthew MacDermid, Talkinbroadway.com
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PRIVATE LIVES
Orlando UCF Shakespeare Festival, 2004
Directed by Pat Flick
"...Hissom, who seemed like an odd choice for the role, makes Elyot the most fully formed character onstage, a suave man whose uncertainties are boiling just beneath the surface, a man hilariously possessed..."
- Elizabeth Maupin, Orlando Sentinel